Showing posts with label royalty. Show all posts
Showing posts with label royalty. Show all posts

Thursday, May 12, 2011

Known unknowns

An actor involved in one of these super-injunction thingummybobs has – according to The Sun, at least – confessed all to his wife. Which strikes me as odd, because the man’s identity, along with that of the footballer and the other actor and the comedian and the chef, has been all over the web, and has even made it into mainstream media, albeit in the form of terribly coy, nose-tapping innuendo. If his spouse didn’t at least suspect that something was up, surely one of her friends must have twigged. I don’t want to kick her when she’s down, but she must be a terribly incurious woman.

You see, the whole point of these injunctions is not to stop people knowing about the moral mishaps of the rich and famous: it’s to stop the *wrong* people knowing. And this is something that goes way back. The Abdication Crisis of 1936 gripped the attention of the British masses once it became public, but the upper classes had known all about Edward’s unsuitable girlfriend for some time, and had been happy to gossip about the constitutional ramifications, provided the hoi-polloi didn’t know what was going on. Such information might create havoc, weaken their moral fibre, don’t you know?

I first got came to understand this social distinction in the world of celebrity tittle tattle in the early 1990s, at about the time it was beginning to fall apart. I’d started my first proper job, in a legal publishing company, which meant that I was for the first time operating in close proximity to people who knew where the bodies were buried. I got wind of Paddy Ashdown’s tarnished halo some time before The Sun splashed it, and also heard some startling rumours about a couple of then-Cabinet ministers. These were pretty analogue days, so the tales were literally word-of-mouth. But I was standing by the fax machine when the Camillagate transcripts came over from Australia. Technology had done away with the social apartheid of gossip, to extent that even after the injunctors have joined Andrew Marr in realising the sheer daftness of their position, they will be remembered not for illicit shagging, but for using their wealth and status to hush up said shagging, which looks far, far worse.

Camilla herself was doubtless embarrassed by the publication of her phone messages, but she realised she could do little about it. So she backed off, bided her time, and is now the Duchess of Cornwall. And she’s making speeches lauding the freedom of the press. Maybe one day [REDACTED] and [REDACTED] and [REDACTED] will do the same.

Friday, April 29, 2011

Moon on a stick (the statutory vaguely Royal-Wedding-themed post)

Stewart Lee was, I suppose, a bit of a spear-carrier when I first became aware of him; in the period when comedy was supposedly the new rock and roll, if Newman and Baddiel were the Sex Pistols, Lee and Herring were somewhere between the Damned and the Lurkers. Their TV show, Fist of Fun, was amusing, but the most memorable bits were mostly supplied by Kevin Eldon in the guise of Simon Quinlank, King of Hobbies. And subsequently Lee became one of the lost souls in the self-devouring cycle of Moderately Cerebral Blokish Radio DJ Double Acts Consisting Of Ex-Comedians, Journalists And/Or Musicians. (Essentially, first there was Lee and Herring, and [Andrew] Collins and [Stuart] Maconie – ex-NME, Select, etc – and [Mark] Radcliffe and [Marc] ‘Lard’ [Riley] – ex-The Fall and various other post-punk entities – and then suddenly there was Radcliffe and Maconie, and Collins and Herring, leaving Lee and Lard on a metaphorical shelf somewhere, which is like a real shelf, but in less immediate need of dusting.)

But then suddenly he was back, fatter and balder and pinker and apparently having read more books. In the past week or so he’s written two pieces for British broadsheets that deserve wider attention. First, in the Financial Times of all places, he lays out his principled opposition to the notion that he ought to be creating comedy that can be tweeted or txted, as part of a wider attack on the whole notion of the creative person as a mere content provider. His work is quotable sure, but in passages and paragraphs, and even then you lose some of the context. For example, from the FT article itself:
But today content is king and form is mutable. Can the comic become a film? Can the film become a game? Can the book become an e-book? Can the song become a ringtone? Imagine if the Japanese super-robots the Transformers were suddenly put in charge of all human culture. Here’s a Jacobean tragedy you can also use to mix trifle! Content is being dictated by its possible application to a variety of forms.
And from his most recent TV show:



And just to prove that Lee’s content extends beyond his own metaphorical navel fluff (which strangely finds its way from his metaphorical midriff to the metaphorical shelf mentioned above, where comedians and musicians and journalists who don’t make the grade are sent to die, possibly metaphorically), here he is in The Guardian on the subject of some wedding or another that’s happening today. There’s been some pretty extraordinary content created about this event, and I thought it had simultaneously reached its zenith of weirdness with the Kate and Wills roast dinner, but Lee goes one better by explaining the nuptials in terms of the Grail myth, with reference to the Fisher King and TS Eliot:
The prince has taken his lowly bride from within this charged landscape, where our ancestors celebrated the union of man and woman in stone and earth, and began the communal processes that forged a nation from their descendents, the broken nation that William the Fisher King must now heal. Our shaman-prince could not have chosen a better receptacle for his magical purposes than Kate Middleton, a peasant-spawned serf-girl, sodden with the primordial mire of the Swindon-shadowed swamplands.
Try txting that, you bastards...

PS: More cogent analysis of this utterly speshull day, from Marco Evers in Der Spiegel and Will Self in the New Statesman. Have fun, everyone, and don’t eat all the bunting!

Thursday, February 10, 2011

...so they buy The Lurkers instead


This offends me, but not necessarily for the reasons the Daily Mail might want me to be offended.

PS: Damn. Just realised that a better title would be something like “Kate and Sidney Pudding”.

Wednesday, November 17, 2010

I love the sound of breaking china

Apologies for the incoherence of this post, and the fact that it’s cobbled together from thoughts I’ve expressed on various other media over the past 24 hours. It’s just that I’m rather surprised at the visceral rage provoked within me by the news that Prince William and Kate Middleton are now engaged. No, scrub that. I’m not angry that they’re engaged. I hope they have a pleasant wedding and enjoy their life together; they’ve never, so far as I know, done anything bad to me or mine. And if people want to have a day off and wave a few flags because two people they don’t know are getting hitched, well, it’s no dafter an excuse than the FA Cup final or Eurovision.

No, what’s really been pumping up my blood pressure has been the media coverage of the announcement, from the mid-market tabs’ attempting to shoehorn St Diana into everything, via the Waikato Times’s interview with someone who happens to be called K Middleton to  Lady Antonia Fraser’s remark on Radio 4’s Today programme that Ms Middleton (Marlborough, St Andrews, offspring of millionaires) is “not privileged”. If, as the conspiracy nuts might suggest, the whole thing is a ploy to distract us from the utter shitbucket into which the world economy is falling, it’s a dismal failure. If we’re seriously looking at SIX MORE MONTHS of this twee banality, this crazed desperation to pump every spare crevice of our consciousness with vacuous, inane, royal-scented non-news, then for every fire extinguisher chucked off Millbank Tower there’ll be a newspaper editor and a couple of TV executives following it down to the pavement.

An awkward young man once said: “I used to be disgusted, now I try to be amused.” Sorry, but I’m still at disgusted.



PS: Love and Garbage says much the same, albeit with less screaming.
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