
And you thought it was all about overturning injunctions and dissing homophobic journalists and bring democracy to Iran, didn’t you?
PS: Or maybe not. Sorry, this is just too complicated for me.

1.) I simply don’t comprehend the prevailing neurosis about unflattering passport photos. Surely it’s the flattering ones that should cause the most distress? My own picture dates from 2004, a point at which I could muster respectably pointy cheekbones and enough hair to concoct a pompadour that might offer Little Richard a run for his money. In fact, I look pretty cute in it, if I say so myself. As a result, whenever I present it at immigration, the polyester-swathed lackey’s eyes brim with pity, as if to say “You poor sod, what ungodly trauma blighted your once-carefree life over the past five years?”
Stephen Fry, discussing his on/off infatuation with all things Twittery, reckons that “it is a bit much that somehow people almost feel they have a right to be heard in their insulting of me.” Well, assuming they have the right to say it, I suppose that entails the right for it/them to be heard. Otherwise, Twitter (and by extension, pretty much the whole of Web 2.0) develops into a whole new strain of the Bishop Berkeley conundrum: if Stephen Fry is insulted on Twitter and nobody reads the tweet, is he still entitled to be upset?...a lot of books and nearly all magazines are read on public transport. In the act of reading something with the cover pointing outwards we advertise ourselves and our attitudes. It’s the most complex and powerful sign language we know. An attractive woman makes herself twice as attractive when she is seen reading an interesting book. How can a brushed metal blank or a piece of nice smooth plastic begin to cope with that? We live in a culture of display, where people pay more for a ringtone than for a record. It’s the worst time in history to be hiding what you’re reading.That said, here’s another view, from Freek Bijl. (Thanks to Ian Hocking for alerting me to this one.)